Angry and sometimes scattershot, a footnote to more comprehensive accounts of Trumpian malfeasance.
The former president’s former counsel rages against his former boss.
“Donald Trump is the mirror into the depth of the soul of government corruption,” writes Cohen. “He is the standard bearer for corrupt dictator wannabes. He is the poster boy for fascism.” The author was one of countless Trump staffers to be thrown under the bus when legal trouble threatened, in this case because of a payment to Stormy Daniels. Cohen clearly seeks revenge for the time he spent in a country-club federal prison—nicknamed Camp Cupcake—where, “if you wanted to break out, you merely needed to call an Uber.” But revenge cuts both ways: Cohen argues that the Justice Department was wholly under the sway of a vengeful Trump and weaponized to punish anyone he targeted. In Cohen’s case, punishment came in the form of imprisonment for tax evasion—even though, he insists, it was a “tax omission.” The IRS was the weaponized agency, argues the author, that illegally leaked information about him to other agencies, but leading the charge was the FBI, which “was corrupt, vindictive, and intellectually lazy.” Moreover, he insists, everyone in the FBI at the time of his trial was “guilty of subverting justice.” Given recent, deeper-diving reports on the wholesale compromise of DOJ under the reign of William Barr, Cohen’s accusations are often glancing. Still, when he’s not spitting bile (of his work for Trump, for example, he writes, “the biggest part of my job was covering for his fat ass”), he hits a few points: It’s a fact that when Trump—“an orange-faced piece of shit who ran roughshod over the Constitution”—called for Russia to investigate Hillary Clinton’s emails, Russia did so instantly, and it’s a fact that the disproportionate sentencing so common in justice circles can be, and is, used as a political weapon.
Angry and sometimes scattershot, a footnote to more comprehensive accounts of Trumpian malfeasance.Pub Date: Oct. 11, 2022
ISBN: 978-1-68589-054-4
Page Count: 320
Publisher: Melville House
Review Posted Online: Oct. 12, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.
Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.
Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.Pub Date: April 30, 2024
ISBN: 9781668057858
Page Count: 256
Publisher: Simon Element
Review Posted Online: March 13, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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